After that, we also need to elaborate what effects these techniques can produce when viewing the movie for example, camera leads what we see in the film so the changes in camera angles have impact on audience's interpretations of the meanings the movie tries to convey.
Shot-by-shot Analysis: "a written description of a given sequence in a film in order of the shots.start with describing the techniques used in the shots or images we are analyzing. Do a shot-by-shot analysis and a music analysis for Scottie's Nightmare or Vertigo's opening credits. North by Northwest script: NorthByNorthwest.pdfĤ/17: 2 analysis, 1 scene.
What types of shots/angles are described? Are there anymore details about the music? Cue #s on the side may pertain to music cues. In FJ and ready to discuss - What comes through when reading the script? PLAZA HOTEL) and the chase scene - p.21-26. Script reading: Read p.1-middle of 6 (till EXT. In 250 words describe what ideas/foreshadowing/statements are made about what the movie could be about through these images and the music in the credits? Include information about scenes you viewed/music cues in the movie.Ĥ/19: Vertigo Shot-by-Shot collected. 100 film composers 50 film scores.docxĤ/30: Re-listen to music from famous scene.Ĥ:25: In class: getting past the opening credits in Psycho.Ĥ/23: Short credits write up - Using what you already know look and listen to the opening credits. There will be some in class time to work on this. Looking ahead: Film Score Composer podcast project - choose a composer to concentrate on by 5/14. Questions will be about music from Bernard Herrmann, identifying which movie the music is from/which scene or character it's associated with/ describing some of the music/ and some essay questions about the 3 Hitchcock movies viewed. Week 15: Work week- 15 minute Podcast of music in film
MUSIC IN DOUBLE INDEMNITY ANALYSIS HOW TO
MusicInFilm Podcast.docx Podcast Tips.docx A How To Guide to Podcast Tech and Post Production.docx 5/16: How to Create Podcasts in GarageBand - dummies.pdf ĥ/22: Finish and present podcasts -10-15 minutes about a movie with music, film score composer, plotline, how music you're presenting accentuates the actionĥ/18: helpful info about podcasting on GarageBand here: īy 5/16: Read through these podcasting tutorials before class on Wed. Composer Hans Zimmer was asked to write music in this way in 2010 for director Christopher Nolan's film Inception composer Gustavo Santaolalla did the same thing when he wrote his Oscar-winning score for Brokeback Mountain. This approach is usually taken by a director who does not wish to have the music comment specifically on a particular scene or nuance of a film, and which can instead be inserted into the film at any point the director wishes during the post-production process. RE: Spotting (from wikipedia): In some circumstances, a composer will be asked to write music based on his or her impressions of the script or storyboards, without seeing the film itself, and is given more freedom to create music without the need to adhere to specific cue lengths or mirror the emotional arc of a particular scene. Sharing soundtrack selection that impacts a scene. Be able to identify how film composers use and manipulate these concepts.Ħ/8: 8:30-9:45 Checkin, post-Goldsoundz assistance, and Checkoutĥ/30: john Williams More Inception or Scoreĥ/28: Listening to GC's podcast.
0 kommentar(er)
